About
Peer-Review for Practice Research
Welcome to Screenworks – the peer-reviewed online publication of practice research in film and screen media, edited by Dr Charlotte Crofts (UWE Bristol) and Associate Editors: Will DiGravio (University of Amsterdam); Dr. Shweta Ghosh (University of Reading); Dr. Catherine Gough-Brady (JMC Academy, Australia); Dr Matthew Hawkins (London Southbank University); Dr Alexander Nevill (Kingston University and Arts University Bournemouth); Dr Estrella Sendra Fernandez (King’s College London). Screenworks publishes practice research that produces new knowledge in Communication, Media and Cultural Studies, Art and Design, Performing Arts and related fields. We offer a forum for the dissemination and discussion of practice research that includes space for reflection on research contexts. Work is published alongside a research statement, which offers a ‘route map’ of the research process, together with two anonymous reviews, which provide critical feedback on both the work itself and its research context.
We accept submissions on a rolling basis as well as for Special Issues. Please see the Submissions page for further information about current calls, deadlines, the peer review process and how to submit your work. Please be aware of our Accessibility Policy, which applies to Vol 12 onwards. Go to our Archive to explore previous volumes, including the full supporting research statements and peer reviews for each volume. If you are interested in proposing a Special Issue then please see our Special Issues Policy.
What is unique about Screenworks is that the work is subject to academic peer review, just as an academic journal article would be, thus providing evidence of the impact, significance, originality and rigour of the practice as research. In addition we operate an open single blind review policy, where anonymous peer reviews are published alongside the research statement so that the review process is transparent. Our intention is to create a supportive, yet rigorous research environment for the academic community researching screen media through practice, whilst at the same time engaging with wider audiences. You can read more about Screenworks‘ evolving editorial approach in Crofts and Nevill (2018).
Screenworks was originally convened in 2006 by Professor Jon Dovey, and Associate editor, Dr Charlotte Crofts, and took the form of a DVD that was distributed with the Journal of Media Practice (JMP) by Intellect Books. Volume 1 was published with JMP (8:2) in Autumn 2007, and Volume 2 with JMP (9:3) in December 2008. Extracts of the works in Volumes 1 & 2 were published online, where possible, when the website was relaunched under the banner of JMPScreenworks.com at the JMP Symposium 2011.
Screenworks migrated to the present website in 2016. We now publish exclusively online in order to disseminate work more widely, save costs and to fulfil the current AHRC and REF research agendas of open access, impact and public engagement. We hope that this new home will enable Screenworks to continue to flourish and grow as both an online publisher of academic film and as a forum for championing screen media practice research with in the academy.
References
(2018) Publishing screen media practice research: evolving processes of contextualisation, peer review and future proofing in Screenworks, Media Practice and Education, 19:3, 283-297, DOI: 10.1080/25741136.2018.1529478.
Academic Reviewers
John Adams | University of Bristol |
Laura Ager | University of Salford |
Judith Aston | University of the West of England |
Sarah Atkinson | King’s College London |
Sarah Barrow | University of Lincoln |
Des Bell | Queens Belfast |
Paola Bilbrough | Victoria University in Melbourne |
Kornelia Boczkowska | Adam Mickiewicz University in Poznam |
Elena Boschi | Edge Hill University |
Mick Broderick | Murdoch University |
Christopher Brown | University of Sussex |
Jeremy Bubb | University of Roehampton, London |
Inga Burrows | University of Glamorgan |
Joanna Callaghan | University of Sussex |
Neil Carrier | University of Bristol |
David Chapman | University of East London |
Mark Chapman | Northumbria University |
Steve Choe | San Francisco State University |
Alastair Cole | Newcastle University |
Nick Cope | University Of Sunderland |
Patrick Crogan | University of the West of England |
Jill Daniels | University of East London |
Katie Davies | University of West England |
Andrew Dewdney | London South Bank University |
Karel Doing | University of the Arts London |
Jonathan Dovey | University of the West of England |
Tony Dowmunt | Goldsmiths College |
Ludovica Fales | University of West London |
Bettina Frankham | University of Technology Sydney |
Annie Goldson | University of Auckland |
Amy Hardie | University of Edinburgh |
Wendy Haslem | University of Melbourne |
Matthew Hawkins | London South Bank University |
Jimmy Hay | Bristol University |
Robert Herrema | Michigan State University |
Coral Houtman | University of South Wales |
Dina Iordanova | University of St. Andrews |
Andrew James | Plymouth College of Art |
Itandehui Jansen | University of Edinburgh |
Owain Jones | Bath Spa University |
Aaron Kerner | University of Edinburgh |
Lina Khatib | Royal Holloway University |
Erik Knudsen | University of Salford |
Adam Laity | University of the West of England |
Nicholas Lambert | Ravensbourne |
Rik Lander | University of the West of England |
Gillian Leahy | University of Technology Sydney |
Lucy Leake | Plymouth College of Art |
Alisa Lebow | Brunel University |
Dominic Lees | University for the Creative Arts |
Claire Levy | Bath Spa University |
Sasha Litvintseva | Goldsmiths |
Ramon Lobata | RMIT University |
Matthew Lovett | University of Gloucestershire |
Nariman Massoumi | Bristol University |
Kenta McGrath | Curtin University |
Cahal Mclaughlin | Queens University, Belfast |
Joshua McNamara | University of Melbourne |
Smriti Mehra | Srishti School of Art, Design and Technology |
Chris Meigh-Andrews | University of Central Lancashire |
Katherine Morrissey | San Francisco State University |
Heidi Morstang | University of Plymouth |
Steven Paige | Plymouth College of Art |
Iakovos Panagopoulos | Ionian University |
Kayla Parker |
University of Plymouth
|
Gail Pearce | Royal Holloway University |
Angela Piccini | Bournemouth University |
Matti Pohjonen | VOX-Pol Network of Excellence |
Steve Presence | University of the West of England |
Khazim Rahman | Plymouth College of Art |
Elizabeth Ramirez-Soto | San Francisco State University |
Michael Renov | University of Southern California |
Randy Rustky | San Francisco State University |
Claudia Sandberg | University of Melbourne |
Jeff Scheible | Kings College London |
John Sealey | Fabian’s Film |
Dafydd Sills-Jones | Auckland University of Technology |
Jen Stein | University of the West of England |
Suzanne Stich | University of Ulster |
Sue Sudbury | University of Bournemouth |
Patrick Tarrant | London South Bank University |
Joram Ten Brink | University of Westminster |
Lizzie Thynne | University of Sussex |
Romana Turina | Curtin University |
Sarah Turner | University of Kent |
Michael Uwemedimo | Roehampton University |
Frank Verano | University of Sussex |
Mike Wayne | Brunel University |
Anna Zaluczkowska | Leeds Beckett University |
Esther Pérez Nieto | Complutense University of Madrid |
Joanna Zylinska | Goldsmiths |
We are very keen to expand our pool of academic reviewers, particularly in terms of international scope, so if you would be interested in getting involved then please email with “Screenworks Reviewer” in the subject line, outlining your area of interest / expertise and your institutional affiliation.