Sy Taffel’s thought-provoking documentary Automating Creativity explores how workers in the creative industries and academics who study technology and culture understand the existing and emerging relationships between automation and creativity, and how these relationships inform contemporary communication, media and culture. Taking the recent surge of interest in digital automation as his starting point, Taffel constructs a pointed overview of these computational tools in relation to creative practices through interviews with key figures in the field, archive material and voice over narration. His accompanying statement examines the political implications of digital automation and reflects on his own use of automated tools during the production of the documentary soundtrack.
We are still accepting submissions for our rolling Volume 10.1. We welcome submissions of moving image work on film, video and new media platforms. We feel strongly that the function of Screenworks is to provide an opportunity for practice research to undergo the equivalent rigorous peer-review process to that of traditional publication, and fully understand contributors’ need to evidence the impact and significance of their practice as research. Where submissions are documentation of interactive or installation work we encourage producers to consider the problems of documentation as part of the research process. We welcome work from doctoral students and post-doctoral researchers, as well as those at the cutting edge of practice research both nationally and internationally.
To submit work please read our Submissions Guidelines and use our Online Submission Form. If you are interested in submitting your practice and want further advice, then please contact us on [email protected] with “Submissions” in the subject line.
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