We are delighted to announce the publication of our third submission to Screenworks Volume 10.1, Jenny Oyallon-Koloski’s Maya and Mia At La La Land, a videographic film which draws fascinating parallels between Maya Deren’s At Land and Damien Chazelle’s La La Land. By bringing together two such starkly disparate source materials – experimental film vs popular musical – this practice research presents a compelling exploration of what Chazelle identifies as the inherently “radical nature” of the musical. Oyallon-Koloski uses various editing techniques from continuity editing and Soviet montage, to Deren’s own parametric framework, to interweave the films and make abstract narrative connections between their two central female characters. In so doing, she not only critiques the on-screen representation of women, but also draws attention to the stylistic synergies between the two filmmakers.
We are still accepting submissions for our rolling Volume 10.1. We welcome submissions of moving image work on film, video and new media platforms. We feel strongly that the function of Screenworks is to provide an opportunity for practice research to undergo the equivalent rigorous peer-review process to that of traditional publication, and fully understand contributors’ need to evidence the impact and significance of their practice as research. Where submissions are documentation of interactive or installation work we encourage producers to consider the problems of documentation as part of the research process. We welcome work from doctoral students and post-doctoral researchers, as well as those at the cutting edge of practice research both nationally and internationally.
To submit work please read our Submissions Guidelines and use our Online Submission Form. If you are interested in submitting your practice and want further advice, then please contact us on [email protected] with “Submissions” in the subject line.