Peer-Review for Practice Research
Welcome to Screenworks – the peer-reviewed online publication of practice research in film and screen media, edited by Dr Charlotte Crofts (UWE Bristol) and Associate Editors: Dr Steve Presence (UWE Bristol), Dr Nariman Massoumi (Bristol University) and Alex Nevill (Ravensbourne). Screenworks publishes practice research that produces new knowledge in Communication, Media and Cultural Studies, Art and Design, Performing Arts and related fields. We offer a forum for the dissemination and discussion of practice research that includes space for reflection on research contexts. Work is published alongside a research statement, which offers a ‘route map’ of the research process, together with two anonymous reviews, which provide critical feedback on both the work itself and its research context.
We accept submissions on a rolling basis as well as for Special Issues. Please see the Submissions page for further information about current calls, deadlines, the peer review process and how to submit your work. Click on Archive explore previous volumes, including the full supporting research statements and peer reviews for each volume.
What is unique about Screenworks is that the work is subject to academic peer review, just as an academic journal article would be, thus providing evidence of the impact, significance, originality and rigour of the practice as research. In addition we operate an open review policy, where peer reviews are published alongside the research statement so that the review process is transparent. Our intention is to create a supportive, yet rigorous research environment for the academic community researching screen media through practice, whilst at the same time engaging with wider audiences.
Screenworks was originally convened in 2006 by Professor Jon Dovey, and Associate editor, Dr Charlotte Crofts, and took the form of a DVD that was distributed with The Journal of Media Practice by Intellect Books. Vol 1 was published with JMP (8: 2), Autumn 2007, and Vol 2 went out with JMP (9:3), December 2008. Extracts of the works in Vols 1 & 2 have been migrated online, where possible, when the website was relaunched under the banner of JMPScreenworks.com at the JMP Symposium 2011.
Screenworks has recently been migrated once again to the present website in 2016. We now publish exclusively online in order to disseminate work more widely, save costs and to fulfil the current AHRC and REF research agendas of open access, impact and public engagement. We are hoping that this new home will enable Screenworks to continue to flourish and grow as both an online publisher of academic film and as a forum for championing screen media practice research with in the academy.
Supported by the Digital Cultures Research Centre at the University of the West of England, Bristol