Robert Greens’ Owls and Parrots confronts the challenges of depicting the author’s own experience of growing up with dyslexia. The film subverts cinematic form by refusing to allow us a moving image, focusing instead on a locked-off shot of an empty school room. We listen to the halting voice of a young dyslexic boy reading out a script reflecting on the experience of navigating the education system with dyslexia, from primary school to university – the disjuncture between the tentative delivery of the child, and the adult perspective from which the voiceover is written creates an emotional affect that threatens to overspill the film.
We are still accepting submissions for our rolling Volume 10.1. We welcome submissions of moving image work on film, video and new media platforms. We feel strongly that the function of Screenworks is to provide an opportunity for practice research to undergo the equivalent rigorous peer-review process to that of traditional publication, and fully understand contributors’ need to evidence the impact and significance of their practice as research. Where submissions are documentation of interactive or installation work we encourage producers to consider the problems of documentation as part of the research process. We welcome work from doctoral students and post-doctoral researchers, as well as those at the cutting edge of practice research both nationally and internationally.
To submit work please read our Submissions Guidelines and use our Online Submission Form. If you are interested in submitting your practice and want further advice, then please contact us on [email protected] with “Submissions” in the subject line.
If you are interested in becoming a reviewer then email us with “Reviewer” in the subject line: [email protected].