New work published in Rolling Volume 13.1

We are delighted to publish three more pieces in Volume 13.1. Sarah Atkinson’s Double Takes: A Series of Short Video Essays comprises of ten (so far) video essays which individually and collectively examine the experiences of women film performers who have endured demanding directorial approaches where their safety has been endangered, and their wellbeing compromised. Taken from […]

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Call for Practice: New Entanglements Special Issue

Call for Screenworks Practice-Research Submissions Special Issue: New Entanglements: Inter-relations between film and philosophy Guest Editors: Dr. Elisabeth Brun & Prof. Dr. Christine Reeh Peters Screenworks Editors: Dr. Matthew Hawkins & Dr. Alex Nevill This guest-edited Special Issue of Screenworks invites practice-researchers to submit works exploring the theme of film-philosophy from an artistic perspective.  Film-philosophy […]

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Moments in Pickwick

A woman in a white shirt holds a baby in a red and black top.

We are delighted to publish our second work in Rolling Volume 13.1. In Moments in Pickwick: Opening a window into women’s lived experiences of transitional housing through participatory filmmaking Minna Sunikka-Blank, Janina Schupp and Matthew Flintham utilise participatory filmmaking to explore transitional housing in Pickwick, Cape Town. As they join five women inhabiting the space, they gain […]

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Special Issue ‘Musicology on Screen’ now out in our 12.2 volume

We are delighted to share with publication of the special issue ‘Musicology on Screen’, co-edited by Dr Estrella Sendra, and guest editors Prof Barley Norton (Goldsmiths, University of London) and Dr Joseph Owen Jackson (SOAS, University of London). A key motivation for this issue was to provide a space to nurture the unique potential of […]

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Electronic Knowings: creating the audio description

When I created the essay film Electronic Knowings: A visual discussion with David and Judith MacDougall I purposely left space in the film for a creative audio description (AD). An AD describes the visuals to a vision impaired or blind member of the audience. A creative AD is often playful and subjective in how this […]

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BAFTSS Practice Research Awards 2023

BAFTSS invites submissions to the Practice Research categories of its 2023 Awards Competition. All entries must constitute a significant, original and rigorous contribution to knowledge.  All applicants for the BAFTSS Practice Research Awards must have a current BAFTSS membership . You can join BAFTSS here. We invite submissions in ONE of the following categories:• Screen-based […]

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WATCH: A Video Celebration of Screenworks Volume 11.1

By Will DiGravio | January 1, 2022 We are very pleased to share a video celebrating all ten works we published as part of Screenworks Volume 11.1. Please enjoy the video above and explore all of the works via the links below. And please consider contributing to Volume 12.1, which is now rolling.Learn more about the volume […]

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Call for Practice: Musicology on Screen Special Issue

Screenworks Call for Practice-Research Submissions Special Issue – Musicology on Screen Edited by Dr Estrella Sendra, and Guest Editors: Dr Barley Norton and Joseph Owen Jackson This guest-edited Special Issue of Screenworks invites practitioner-researchers to submit audiovisual works of any length exploring the theme: Musicology on Screen.  We particularly welcome work conducted in regions across […]

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Annual BAFTSS Awards

Annual BAFTSS Publications Awards – deadline Friday 5 November 1. BAFTSS Publication Awards: BAFTSS invites publication submissions in the following categories: Best Monograph, Best First Monograph, Best Edited Collection, Best Journal Article, Best Doctoral Student Article or Chapter. You can find further information and submission details (by 5 November 2021) here. 2. BAFTSS Practice Research […]

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CFP: BAFTSS 10th Annual Conference

CALL FOR PAPERS:  BAFTSS 10th Annual Conference 20-22 April 2022 (online) Theme: Collaboration and Cross-pollination Hosted by the University of St Andrews Proposal deadline: Monday 13 December 2021 In the past eighteen months, many of us have experienced isolation both professionally and personally due to the COVID-19 pandemic. Caught between the anxiety of close contact and the loneliness […]

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Why we need to caption

Blue tinted eye with random letters over it

Why we need to caption Screenworks are improving our accessibility. Part of this process is that we will require all new audio-visual published works to include captions. According to hearing advocacy organisations (Australian Network on Disability and Hearing Link), one in six people are affected by hearing loss in the UK and Australia. In Australia […]

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Year in Review: Screenworks 2020 Celebration Reel

by Will DiGravio | 22 January 2021 In 2020, Screenworks published fifteen works across three issues. To celebrate, here’s a short video collecting clips from all fifteen. Thank you to all of our contributors! Please note that Volume 11.1 is ongoing. Learn more about submitting your work here. Read more about each submission below.  […]

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